Poetas

Poetas

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Poetas

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Mozart: Le Nozze di Figaro

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

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For the sake of her son, Paolo, Stella is re-married to another man, Anton, in the hopes of a having a whole and peaceful family life. However, after the wedding, she experiences major haunting that endangers her life and the people around her. All the clues are pointing to her dead husband. Feeling guilty of her ex-husband’s death, Stella tries to save her family from the ghost’s wrath. Along the way, secrets start to unravel and Stella is now unsure of who is haunting her and why she is being haunted.

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Concerned parents hire a private detective to tail their son because they think he might be gay.