Informações

Sinopse:

Duração: 00h07m

Data de lançamento: 18 de outubro de 2018

Genêros: Drama, Ação, Thriller.

Elenco: Tom Sharp, Marcus Massey,

Wav.

Tom, a sound mixer, discovers strange and ominous noises in the audio tracks whilst mixing a film. Is it real or is it in his head?

Work

Unable to move on from a breakup, Gabi, a queer Latina freelance editor, impulsively drops into an old job at an underground lap dance party, where she unexpectedly runs into a friend from her past.

Pleasant Goat and Big Big Wolf 4

Weslie and his crew discover an evil mechanical dragon who defeats Wolffy as he was attempting to capture the goats, but a series of good dragons rescue Weslie and the goats. The good dragons say that evil dragons have taken over their world, and they need the help of the goats.

Black & White Duppy

On the day of his grandma’s funeral, 17-year-old Red faces multi-generational demons in this surreal horror film exploring colonial trauma and Black family histories.

Billposters

Donald and Goofy are putting up advertising posters in a farm. Goofy prepares to post on a windmill, but his tools keep disappearing and reappearing on the windmill blades. Donald puts up his posters, a picture of a soup can, and a goat eats them immediately. Goofy gets stuck to his poster after it comes around on the windmill. Donald, being his calm, even-tempered self, gets into a battle with the goat.

Dans la peau de Jean-Claude Van Damme

If you want to find out how it is being Jean-Claude Van Damme.

Falstaff

It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.

Oh Boy Charlie