Informações
Sinopse:
Duração: 01h33m
Data de lançamento: 01 de setembro de 2023
Genêros: Documentário.
Disponível em:
Frank Capra: Mr. America
(5 votos)
$500,000.00
?
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A Estrela
Drama musical baseado na vida (dentro e fora dos palcos) da atriz britânica Gertrude Lawrence.
Star
Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.
O Despertar dos Monstros
No futuro distante de 1999, todos os monstros da Terra foram capturados e detidos nas Ilhas Ogasawara. Tudo está bem no sistema solar até uma raça de alienígenas mulheres controlarem os monstros e liberá-los, causando estragos em todo o mundo. Godzilla ataca Nova Iorque; Rodan invade Moscou; Mothra devasta Pequim; Gorosaurus destrói Paris; e Manda ataca Londres!
Godzilla vs. Mechagodzilla
Estranhos alienígenas elaboram um plano maligno para dominar a Terra, construindo um Godzilla robô para esmagar todas as interferências. Logo, o Godzilla real une forças com King Caesar em uma luta épica para salvar a humanidade. Um monstro do espaço luta contra os monstros de antigamente.
Mantovani, the King of Strings
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
O Príncipe do Natal: O Bebê Real
Neste Natal, Aldovia vai ganhar um presente de especial: um bebê real. Mas, antes, a rainha Amber precisa desvendar um mistério para proteger a família e o reino.
Lion, London Zoological Gardens
A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.
RR
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.