Informações
Sinopse: É tão normal ser normal, não é?
Duração: 00h15m
Data de lançamento: 20 de abril de 2024
Genêros: Drama, Música.
Elenco: Victor Di Marco, Emiliano Cunha,
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Sinopse: É tão normal ser normal, não é?
Duração: 00h15m
Data de lançamento: 20 de abril de 2024
Genêros: Drama, Música.
Elenco: Victor Di Marco, Emiliano Cunha,
Em uma noite, Lucas, Luiza e Bia relembram as dores e as delicias de ser quem se é.
A roaming hillbilly, on a quest to defy the Devil, encounters several supernatural characters and does battle with his silver-stringed guitar.
Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed -- all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists."
While extracting and polishing their blocks of stone, stonecutters used to say “the stone is coming to life". This paradox provided Matsumoto with the best metaphor for what making a film is all about. In his opinion, filmmakers work images in the same way that stonecutters work stones.
Mugged Off strikes back! In a thrilling tale that shows the events that take place after Mugged Off.
Vannina and Giacinto are a young married couple who live their relationship in an unequal way; while the girl is submissive to the will of her husband Giacinto, he sees in his bride only the personal object of his sexual satisfaction.
The story continues after the marriage of Yam and Joei when the couple has a beautiful daughter and Yam becomes a strict father who guards his daughter from suitors.
The photographs of two elderly people used in this work were taken during a train journey in the first half of Ishii's previous work, "Wind crossing" He uses it as a photograph. There is no doubt that these two are particularly memorable for Ishii, but how should we as an audience perceive these acts? Then something occurred to me. In my work "Guiding Star", there is a part where I walk through an underground passage at night during a trip in Hokuriku. That place was Kanazawa. Lately I've been visiting Kanazawa every year for the Maki Asakawa live video screening, but most of the time I travel from Kansai to Kanazawa, or vice versa, by express bus. Then, the bus always passes through that underground passage. Ah, it was here. With that thought in mind, I play with the memories of that trip for a while, no longer happy or sad, but dry and dry. It might be something similar. However, in my case, unlike Ishii's narration in the story, I feel like "it somehow continued to live." M.Yamazaki