Informações
Sinopse:
Duração: 00h48m
Data de lançamento: 16 de junho de 1997
Genêros: Drama.
(13 votos)
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Sinopse:
Duração: 00h48m
Data de lançamento: 16 de junho de 1997
Genêros: Drama.
Shot at Wembley Stadium on June 25th, 1995 in front of 72,000 cheering fans, this is the first 'live' concert video from Bon Jovi. A stunning performance which includes all their hits to date plus new tracks off there 'These Days' album.
A high school track star's wedding plans are capsized by venereal disease and a bad, beautiful new girl in town. His coach and a physician steer him into the light again.
Nata Metlukh trabalhou durante 108 dias para produzir este curta como trabalho de conclusão da faculdade, mostrando como o medo influencia na vida as pessoas.
A young woman of good family is driven into one of thieves and prostitutes and ends in suicide.
Here Come The Waves: The Hazards of Love Visualized" is an animated collaboration between the band and four filmmakers: Guilherme Marcondes, Julia Pott, Peter Sluszka and Santa Maria. The Los Angeles Times describes it as "a tumbling series of visuals with four distinct aesthetic styles. Peter Sluszka's ultra-slow motion capture of exploding mushrooms and elegantly disseminating seed pods … Julia Pott's line art of wolves and foxes hovering in geometric constellations … Guilherme Marcondes' renderings of skeletons caught among leafless branches and verdant human arms that unfurl like ferns… Santa Maria provides context…with cosmic, computer-generated vistas, cartoons of splintering bones.
A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."
A swashbuckling heritage reveals itself as the adopted son of 19th-century Spaniards develops into a suave lady-killer.