Informações
Sinopse:
Duração: 01h14m
Data de lançamento: 15 de março de 1950
Genêros: Comédia.
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Sinopse:
Duração: 01h14m
Data de lançamento: 15 de março de 1950
Genêros: Comédia.
Antonio Scaparro (Toto) is obsessed for women. He invents his own way to hide from them - in the attic of his house.
Antonio is the humble servant of a rich family governed by the Marquis Gastone. He is a young man madly in love with Lulu, but she betrays him, and he desperately enlist in the foreign legion.
Antonio La Quaglia becomes the railroader in Piovarolo during 1922 meanwhile the fascism is raising. Later he marries a jewish woman. He has career ambitions but can not reach them.
Esposito is a thief who cons tourists in Rome. Officer Bottoni manages to catch him and starts persecuting him. When Esposito manages to flee, Bottoni's superiors inform him that he'll lose his job if he can't catch Esposito.
Greedy Baron Antonio Peletti refuses to give to his town the heredity left by his father, a box full of precious jewels, which he keeps for himself. The major and the rest of the townspeople therefore organize a trick at his expense: they'll make him believe he is dead, and, in a fake "afterlife", they'll try to convince him to finally show them where the money is hidden to save his soul.
The day of Chief Constable Saracino begins badly when his new car is stolen. Then, in his office, he meets Alfredo Fiori who believes that his wife and her lover, a veterinary, are trying to murder him.
A rica herdeira Nanette Carter (Doris Day) aposta com seu tio Maxwell (S.Z. Sakall) como ela é capaz de dizer "não" a tudo por 48 horas, ou seja "No, No, Nanette". Se ela ganhar poderá investir os 25.000,00 dólares em um show da Broadway com canções escritas por seu namorado Jimmy Smith (Gordon MacRae). Claro que seu grande sonho é estrelar o show. O problema é que ela não sabe que o seu tio está falido por causa da quebra da bolsa na crise de 29.
Speaking of serious things by making you laugh has always been the characteristic of Ettore Scola’s cinematic style. With the same intent, his daughters Paola and Silvia, using Pif’s verve as an interviewer, retrace their father’s career.