Informações
Sinopse:
Duração: 00h00m
Data de lançamento: 18 de março de 2002
Genêros: Comédia, Família, Romance, Cinema TV.
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Sinopse:
Duração: 00h00m
Data de lançamento: 18 de março de 2002
Genêros: Comédia, Família, Romance, Cinema TV.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Le Ying mora com os pais há anos, sem rumo e sem fazer nada de especial. Depois de se formar na faculdade e trabalhar por pouco tempo, ela opta por se retirar da sociedade e viver reclusa. Um dia, Depois de uma discussão com sua irmã mais nova, Le Ying sai de casa e decide viver a vida de maneira diferente. Ela conhece um treinador de boxe e começa a lutar.
Gilles, who operates a money losing garage, teams up with his friends Max, who operates a scrap yard, and lawyer Xavier to open a brothel catering to women. They get the idea from Gilles' secretary Irma, a former prostitute. They are assisted in the implementation by Max's wife Juliette and Sabine who is mad for Gilles. Unfortunately Gilles has fallen for Florence the daughter of the conservative Prime Minister and his wife. When the Prime Minister tries to shut down the brothel Gilles decides to stand against him in the election.
Follows a youngster Kalai and his aspirations of becoming a 'Star' in the Tamil Film Industry. Born in a lower-middle-class family, will Kalai overcome all his struggles to emerge as a Star?
A new father going through a marital separation joins a dating app and matches with a beautiful but mysterious young woman... whose powers of seduction and manipulation entangle him in a mystery more horrifying than he could have ever imagined.
Duas mulheres detetives viajam a bordo de um cruzeiro que recria um jogo de mistério, onde você deve encontrar o culpado. Mas as férias deixarão de ser divertidas quando elas se dão conta que um verdadeiro assassinato está prestes a acontecer.
Aftershock follows four groups of people in the minutes, hours and days after Wellington is struck by a magnitude 8.2 earthquake and subsequent tsunami. Buried office workers must pull together. Strangers, caught by the tsunami on a ruined motorway, put themselves in danger to save others. A mother must reunite her family. And, at the centre of the rescue operation, a controller is bunkered down at Wellington’s Emergency Management Office.
We watch from behind as a person with a sling bag walks through the night, before melting among her peers in a refuge, in Mexico, welcoming those women and men who are fleeing a political situation, an economic impasse enriching organised crime. It is of little matter where these migrants come from, as it is, above all, a matter of staying alive and avoiding the gangs that keep an eye on the long path to exile. However, everyone knows the goal: to get into the north of the continent, the United States or Canada, at all costs, aboard goods trains, which they hang onto dangerously. In complete immersion, Hubert Caron-Guay filmed this last chance voyage in which waiting contends with anguish, even though solidarity is tangible at times, like in the sequence where a man enjoins his companions in misfortune to “run at the same speed as the train”, otherwise, death is certain.