Informações
Sinopse:
Duração: 01h45m
Data de lançamento: 13 de setembro de 1957
Genêros: Drama.
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Sinopse:
Duração: 01h45m
Data de lançamento: 13 de setembro de 1957
Genêros: Drama.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
DO BHAI-1961 was a totally family drama of the routine type where there is a sacrificing soul and a selfish soul. In such films the story writer and the directors try every trick in their bags to make the women audience weep. Vishram Bedekar, who was once a hit director was now in his waning times and could not do much to lift the film above average. Babu Vishwanath dies leaving a will to give all wealth to his elder son Gopinath(Abhi Bhatta.).Gopi’s step mother Vimla(Durga Khote) loves Gopi more than her own vagabond son Shibu(Anil Kumar). Shibu is a gone case. Gopi and his wife Rukmini(Sulochana) also love Shibu but he is instigated by his Mama (Rajan Haksar) Kashinath and Shibu starts hating Gopi.
Carl Gustav is 12 years old and particularly interested in comics and detective work. Gjengen is his friends, two boys and two girls of the same age and 'Rævedilter'n' Georg who is seven.
The film follows Jack Hopkins, an aircraft designer with a passion for traction engines. His boss is eager to sell a new supersonic jet plane that Jack has designed to American millionaire Paul Fisher. The first encounter between Fisher and Jack goes badly, and tensions only heighten after Fisher's daughter Kathy damages Jack's prize traction engine "The Iron Maiden", rendering it impossible to drive solo. Jack is desperate to enter the annual Woburn Abbey steam rally with the machine, but his fireman is injured and unable to participate. When all seems lost the millionaire himself is won over by Jack's plight and joins him in driving the engine; the two soon become firm friends.
O filósofo Roger Scruton apresenta um argumento fascinante para a importância da beleza na nossa arte e nas nossas vidas, e explora o que é e não é verdadeiramente belo, independentemente do seu observador.