Informações
Sinopse:
Duração: 01h59m
Data de lançamento: 08 de setembro de 2022
Genêros:
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Sinopse:
Duração: 01h59m
Data de lançamento: 08 de setembro de 2022
Genêros:
The origin story of the masked vigilante, Nemesis Knight. A new breed of superhero for a changing world. From young feral orphan to deadly crusader, balancing the equilibrium between good and evil. She wears the Mask of Dionysus, given to her as a gift by The God of The Underworld, Hades as she rides her black horse named Zeus, armed with her trusted rifle and sidearm strapped to her leg, ferociously sending criminals to the other side!
The starry night' tells about the love that becomes clearer as time goes by, through the process of organizing his own life, loving an old lover.
Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.
This film is dedicated to my 1-year-old daughter Hana/花(which means “flowers”) and my 3-year-old daughter Nemu/眠(which means “sleep”) who learns Hiragana recently. The reason why I created this film is that I wanted to show them “the magic” that their favorite Teddy bear can move.
The place is the notorious Starck Club (so called because it was the first major project designed by Philippe Starck in the US.) The Starck Club opened in Dallas in 1984 and not long after hosted the 1984 national Republican Convention. Ironically, it was actually legal to buy MDMA aka ecstasy there, people would put it on their credit cards. The DEA stepped in and made it a category 1 drug on July 1, 1985... In a time when ecstasy was legal & guyliner was cool.
This remarkable compilation follows an exchange of video letters that took place between Shuji Terayama and Shuntaro Tanikawa in the months immediately preceding Terayama's death. It can be thought of as a home video produced by two preeminent poets and inter-laid with highly abstract philosophizing, slightly aberrant behavior and occasionally flamboyant visuals.
A passenger picks up a woman at dawn who is to be a guest until midnight. Their journey begins...
Story of three women who are subjected to various forms of patriarchy and exploitation by the men around them and the society at large.