(14 votos)
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A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform
Jason Enola is an obsessive FBI agent who is almost losing his mind after ten years on the tail of an elusive serial killer whose hallmark is the "paper trail" of notes left along with the victims. As the film begins, a new wave of killings start after four years of silence, and the psychiatrist Dr. Alyce Robertson becomes involved when she starts receiving telephone calls from the killer.
Upon arriving at the Digital World after the "reboot", the Digidestined are hunted by a new villain. Meanwhile, Sora is troubled by her partner Digimon's indifference towards her.
A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
Madhavan (Dileep) is a clever thief who does robbery for a living. He is following the principles of his mentor Mullani Pappan (Mala Aravindan). Meesa Madhavan got his name by the popular saying that if Madhavan rolls his Mustache (Meesa in Malayalam) looking at someone, he will rob his house that night. His enemy was a local money lender Bhageerathan Pillai (Jagathy Sreekumar) who refused to give back his father's property. Madhavan falls in love in Bhageerathan Pillai's daughter Rukmini (Kavya Madhavan). The sub inspector in the village Eappen Pappachi (Indrajith) has an eye on Rukmini. He steals the idol from the local Temple with the intention of selling it and puts the blame on Madhavan. It becomes Madhavan's responsibility to find the culprits and he does that with his mentor's help and thus uniting with his girl friend.
This documentary offers a rare glimpse of the legendary Soviet filmmaker, Andrei Tarkosvky, at work. Tarkovsky made only seven films in his brief, but brilliant, career; Michal Leszczylowski's respectful movie chronicles him at work on his last film, The Sacrifice. Offering insight into Tarkovsky's working methods and transcendental aesthetics, the movie is a compelling account of the difficulties of film production. In the case of an uncompromising and visionary filmmaker like Tarkovsky, the practical problems of filmmaking are only magnified, as cast and crew struggle to realize the ambitious concepts in Tarkovsky's mind.