Informações
Sinopse:
Duração: 01h08m
Data de lançamento: 07 de maio de 1935
Genêros: Ação, Romance, Mistério, Drama.
(5 votos)
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Sinopse:
Duração: 01h08m
Data de lançamento: 07 de maio de 1935
Genêros: Ação, Romance, Mistério, Drama.
After leaving her Amish community in her youth, a New York book editor finds herself in desperate need of a new cookbook to save her job. With Christmas on the horizon Sarah heads back to her family farm to reconnect. But with the presence of a handsome local—an outsider, but one that is friendly with the Amish community—he and Sarah sense chemistry and work together to save her family’s Amish bakery (developing an Amish Christmas Cookbook in the process).
Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.
In this sequel to the popular adventures of Mademoiselle C, the strange Mademoiselle Charlotte began a new life as a postwoman in Saint-Gérard where she encounters a particularly dishonest businessman.
Donald and Mickey put on a charity show, for some orphans.
A millionaire's son works as a milkman for a month to win a bet with his father. While delivering milk he falls in love with a young debutante whom he mistakes for a maid.
Aya: Awakenings' is an experiential journey by journalist Rak Razam into the world and visions of ayahuasca, a powerful hallucinogenic plant medicine from the Amazon, capturing the experience and the western dynamic around it in unprecedented detail.
At the theatre, a 'Paramouse Noose Reel' and a Bimbo and Koko cartoon are followed by Betty Boop's stage performance; she sings and does imitations of Helen Kane, Fanny Brice and Maurice Chevalier.
Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.