Informações
Sinopse:
Duração: 01h09m
Data de lançamento: 07 de janeiro de 1983
Genêros: Drama, Terror.
Elenco: 松川ナミ, 田山涼成, 仙波和之, 志麻いづみ, Izumi Sagawa, Saburô Shôji, 高林陽一, 高橋明,
(3 votos)
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Sinopse:
Duração: 01h09m
Data de lançamento: 07 de janeiro de 1983
Genêros: Drama, Terror.
Elenco: 松川ナミ, 田山涼成, 仙波和之, 志麻いづみ, Izumi Sagawa, Saburô Shôji, 高林陽一, 高橋明,
After meeting an artist who specializes in the practice of BDSM a married couple decides to spice up their marriage with a little bit of doggie training. Woof. Woof.
Barbie comes home from shopping. She takes her groceries out of the bag and unwraps a little Barbie doll. She fries up the Barbie doll and eats it.
Posando como caçadores, um grupo de terroristas está em busca de 100 milhões de dólares que foram roubados e perdidos em um acidente de avião a caminho do Afeganistão.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
A recap of Kimetsu no Yaiba episodes 1–5, with new footage and special end credits. Tanjiro Kamado returns home to find his family slaughtered and the lone survivor, his sister Nezuko, turned into a Demon. To his surprise, however, Nezuko still shows signs of human emotion and thought. Thus begins Tanjiro's journey to seek out the Demon who killed their family and turn his sister human again.
Unlike the many rag pickers working at this Dump Hill(Land Fill) in Delhi, young Devendra is committed to collect electronic waste discarded from our homes, in an attempt to create machines. Even the carcinogenic gases emitting from this hill have not been able to poison his engineering dreams.
Se trata de uma missão na vila da Cachoeira. Era para ser uma simples missão de escolta ao Herói da vila da cachoeira, o Shibuki, mas o melhor jounin da vila arquiteta um plano e com a ajuda de ninjas de outras vilas, resolve tomar posse da “Água Heróica”. Esta água especial, aumenta incrivelmente, os poderes do usuário. Apesar de todos chamarem o Shibuki de Herói ele é um medroso e terá de enfrentar isso para salvar a vila! Resta a Naruto, Sasuke e Sakura e até Shibuki, protegerem a Água Heróica e a Vila!