Informações
Sinopse:
Duração: 01h35m
Data de lançamento: 30 de novembro de 2006
Genêros: Comédia.
(4 votos)
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Sinopse:
Duração: 01h35m
Data de lançamento: 30 de novembro de 2006
Genêros: Comédia.
Let's Get Loud é uma versão expandida do primeiro especial de TV de Jennifer Lopez, gravado em duas noites esgotadas no Roberto Clemente Stadium em Porto Rico. J. Lo apresenta seus maiores sucessos, além de uma performance especial de Selena, I Could Fall In Love.
Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.
Although Chicken does not make an appearance, Chan Ho Nam finds a new love interest in the form of Mei Ling. Meanwhile, Tung Sing returns to cause trouble again for Hung Hing, in the form of new leader Szeto Ho Nam.
O músico também liberou alguns vídeos retirados de seu novo CD/DVD/Blu-ray ao vivo, "Live At The Greek Theatre", que acaba de ser lançado. Acompanhando o guitarrista estão Anton Fig (bateria), Kirk Fletcher (guitarra), Michael Rhodes (baixo), Reese Wynans (piano, Hammond), Lee Thornburg (trumpete), Paulie Cerra (saxofone), Nick Lane (trombone) e as cantoras de apoio Mahalia Barnes, Jade MacRae e Juanita Tippins.
On 12 May 1978, Kate made her debut on Dutch television in a program that has gotten to be known as “De Efteling Special”. The amusement park De Efteling served as a backdrop for six songs of The Kick Inside: Moving, Wuthering Heights, Them Heavy People, Strange Phenomena, The Man With The Child In His Eyes, and The Kick Inside. On 10 May 1978, the Efteling was ready to open the Haunted Castle, the most expensive attraction it had ever constructed (designed by Ton van der Ven), and they wanted to promote it. In April a documentary featuring the Haunted Castle was made by filmmaker Rien van Wijk, who was eager to shoot in the latest attraction before it officially opened. Kate, who just had a big hit with Wuthering Heights, was approached for a television special that would promote both Efteling and her songs. This is the original broadcast of May 12, 1978. The original 16m film is lost; this is a copy of the uMatic version that is the only version left.
Twenty-one day is a time period that terminal patients are allowed to stay in hospice. Time is pulsating here according to peculiar inner cycles: getting faster, slower or returning to its ordinary rhythm. We wander through physical and mental spaces: wards, gardens, memories. It is a story of two main protagonists, yet two strangers, for whom the regular talk about death constitutes an integral part of life.