Informações
Sinopse:
Duração: 01h42m
Data de lançamento: 22 de dezembro de 1951
Genêros: Drama.
Não Quero Dizer-te Adeus
(5 votos)
?
?
Recomendados
minicômios
é o caótico maio de 2021 e no dia 18 o brasil comemora a luta antimanicomial. mas ela não quer só um meme, não tem graça, nem tempo. por proteção, envia aos quatro cantos e pro ano de 2071, o "suco" do que ainda pode falar. Vivemos tempos pandêmicos tão ásperos que também fez emergir uma epidemia de diagnósticos e fármacos do ponto de vista das neurociências, pontuando-se apenas pela química individual do cérebro. Ainda que seja extravagante a olho nu, o trauma é coletivo e o estamos assistindo, ainda inevitavelmente inertes. Assujeitar as questões é uma narrativa perfeita ao neoliberalismo, que quanto mais individualiza questões de saúde mental, mais as despolitizam. Assim como há um retrocesso negacionista em várias camadas do nosso tecido social, a luta antimanicomial enfrenta uma hegemonia farmacológica interessada em clientes e não em pacientes.
Kairos Dirt and the Errant Vacuum
A series of collective dreams of a transworldly being visits a myriad of characters, revealing their subconscious desires.
Chunauti
Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.
Kill Shot: The Making of 'FD3'
Go behind the pre-production, production, and post-production process of making New Line Cinema's Final Destination 3, exploring the history of not only the film itself but of its filmmaking partners, Glen Morgan and James Wong, and gain insight on the production as a whole. Includes early development meetings, on-set action, interviews with cast and crew, visual effects development, test screening process as well as an elaborate ending re-shoot.
Heavens Above
Three stories about the impact of three God's miracles in the medieval sense that happen to the film's heroes living in a post-communist society that, after half a century of atheism, re-learns about Christianity.
The Rake's Progress
Vivian Kenway, a young Englishman from an aristocratic background, flunks out of Oxford, and decides to use his considerable charm to achieve his goal of, apparently, making dissipation his career. His derelictions include seduction, betrayals of sweethearts, family and friends, and Marriage for money. All this with no signs of remorse or redemption, since his life as a completely unprincipled rake is quite enjoyable...for him, at least. Then, World War II breaks out and he is given a chance to die a heroic death for flag and country. Maybe.
Pimpinero: Sangue e Gasolina
Na fronteira entre a Colômbia e a Venezuela, "pimpineros" arriscam a vida traficando combustível ilegal de um país a outro. Quando Juan, um jovem contrabandista, é forçado a trabalhar para um misterioso rival, sua namorada, Diana, embarca em uma perigosa jornada para descobrir os segredos que envolvem essa terra de ninguém.
La mujer de mi padre
Jose, a mountain rancher in northern Argentina, meets and begins an affair with Eva, a beautful but mysterious woman who is the mistress of Simon, a local gangster from a nearby village, which complicates things more when Jose's son Mario returns and also begins a romantic relationship with Eva which brings out jealousy in Jose.