Informações
Sinopse:
Duração: 00h06m
Data de lançamento: 09 de junho de 1939
Genêros: Animação.
Elenco: Margie Hines,
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Sinopse:
Duração: 00h06m
Data de lançamento: 09 de junho de 1939
Genêros: Animação.
Elenco: Margie Hines,
Police officer Porky is called to investigate strange noises at a house that might be haunted. Before he arrives, we tour the house and hear some evil-sounding cackles, which, it turns out, are coming from a radio one that a ghost was listening to. The ghost then sings the title song while getting ready for a night of haunting, just as Porky arrives. The ghost invites him in with a woman's voice, then disappears. Porky comes in and gets spooked by some flapping curtains. When he comes back in, the ghost puts a couple frogs into a pair of shoes and sets them loose; they collect a hatrack and a curtain, forming a sort of black ghost that ultimately scares Porky upstairs right into the arms of the ghost.
Jura is 23 years old - and Lena is 23. They live in Budennovsk, play computer games, walk and learn. They live in a city where Shamil Basayev entered 23 years ago with militants, and know almost nothing about the events of that time.
Delphine, a disillusioned humanities teacher, makes an agreement with her students : they leave her in peace, as they get A+ grades. But these excellent results turn into a nightmare when the class is qualified for the Latin World Championships, in Naples.
Neste documentário intimista, o músico Jon Batiste tenta compor uma sinfonia enquanto sua esposa, Suleika Jaouad, passa por um tratamento contra o câncer.
A movie that plays during the opening of video game Sonic CD.
Um advogado com passado militar embarca em uma jornada perigosa para caçar a gangue responsável pelo sequestro de sua filha e o assassinato de sua esposa e irmão.
A group of friends seal themselves inside a secluded Cape Cod vacation home after a mysterious orange fog leaks from an old nearby factory. Once trapped, they quickly learn there is no escape.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.