Informações
Sinopse:
Duração: 01h58m
Data de lançamento: 18 de outubro de 2000
Genêros: Drama.
(3 votos)
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Sinopse:
Duração: 01h58m
Data de lançamento: 18 de outubro de 2000
Genêros: Drama.
Takezo, rebatizado Musashi Miyamoto, tornou-se um samurai inigualável. Durante anos, ele viajou por todo o país, sempre saindo vitorioso. Agora ele está em Kyoto para lutar contra o Mestre Yoshioka. Na cidade grande, ele se encontra com suas duas amadas: a virtuosa Otsu, ex-noiva de Matahachi, e a jovem Akemi, também cortejada por Yoshioka. Enquanto o confronto entre os dois homens é constantemente adiado, a violência em torno de Musashi só aumenta.
Filmed at the Chaplin Studios, Los Angeles on January 22, 1917 -- this footage was intended as a promotional film to help raise funds for the "British War Loan Bond Appeal Drive" (in addition, Lauder established the Harry Lauder Million Pound Fund for wounded soldiers and sailors in September 1917). The film was never completed or released at the time.
O documentário busca analisar os ecos entre diferentes contextos e práticas de resistência política e subjetiva, endereçando a abissal desigualdade social e racial que se atualiza diariamente no país.
After people start dying from a poisoned Thanksgiving pie, a young girl hires detectives to find out the mastermind behind the baked good.
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
For years, the infamous Blackwood Forest was terrorized by the Camp Blood Killer. Now, the killer is back as a vengeful spirit seeking revenge from beyond the grave.
"Here is the quintessential Hancox 'personal documentary,' a film in which both the production and role of traditional documentary and autobiographical filmmaking are thrown into question. Using his camera to record a visit out east by train to spend Christmas with the family, Hancox .... used his familiarization with the annual ritual as a form of a script... Although we see the journey through the subjective judgment of Hancox’s eyes, it is his intent to transfer the material from original event to camera, to editing, and finally to the audience, so that the personal content of the film... becomes universal.” Michael Wade, Ontario Film Studies, Cinema Parallel “It is the honesty of portrayal which is staggering, for instead of an idyllic image which many filmmakers present of themselves, Hancox presents (and thus, sees) himself without cinematic make-up... with ‘wild sync’ sound (reminiscent of an early film), and with the use of only available natural light.” Richard Stanford