(2 votos)
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Sinopse: A polêmica cafetina de Hollywood, Heidi Fleiss, planeja abrir um bordel em Nevada. Não será uma tarefa fácil, pois encontra oposição das autoridades locais e dos moradores.
Duração: 01h10m
Data de lançamento: 01 de janeiro de 2008
Genêros: Documentário.
Elenco: Heidi Fleiss,
Pessoas com HIV se reuniram em um bar para serem fotografadas, completamente nuas, e compartilharem suas realidades.
A drama about love, loss, and memory for the gorehound crowd. A married woman in 1940's pre-war America must make a difficult decision upon her return home from a missionary position.
American Civil War, 1862. After the disaster of the Second Battle of Bull Run, Major Allen, chief of the Secret Service of the Union, asks actress Gail Loveless to become one of his operators and infiltrate enemy territory.
An all-Black comedy and dance revue with stars of stage and screen.
Early 1960s realist drama following a day in the lives of two London flatmates. Sylvia Syms and June Ritchie star as Billa and Ginnie, two singletons sharing a London flat who both work as night club hostesses in the same Soho club. Tensions arise when Ginnie becomes romantically entangled with rich married businessman Bob Shelbourne (Edward Judd), causing Billa to become jealous of their relationship.
The construction team blindly developed the unknown island, which alerted the two fierce creatures on the island to be destroyed.
Brothers Ganapathi Pai and Ananda Pai fall for a young stenographer they hire for their company. However, they are in trouble when they learn that she has ulterior motives.
The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.