Azaïs

Azaïs

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Azaïs

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Dalaw

For the sake of her son, Paolo, Stella is re-married to another man, Anton, in the hopes of a having a whole and peaceful family life. However, after the wedding, she experiences major haunting that endangers her life and the people around her. All the clues are pointing to her dead husband. Feeling guilty of her ex-husband’s death, Stella tries to save her family from the ghost’s wrath. Along the way, secrets start to unravel and Stella is now unsure of who is haunting her and why she is being haunted.

Guru Chela

Guru Chela is a heartfelt short film celebrating the timeless bond between a teacher Guru and student Chela. The story revolves around a young Chela who invites his Guru to attend his Bratabandha ceremony, a significant event in Nepalese culture marking a boy's transition into adulthood and spiritual maturity. The ceremony takes place at the Southall Temple in the United Kingdom, bringing together tradition and diaspora life. The Bratabandha combines choodakarma tonsure and Upanayana samskara, symbolizing a promise vrata and a sacred bond bandhana. It is a moment of reflection on cultural identity and spiritual growth. As the Guru blesses the Chela during the rituals, the film delves into their profound relationship. The Guru, representing the source of wisdom and guidance, imparts teachings on life and spirituality, while the Chela demonstrates respect and gratitude for his mentor's influence.

Strawberry Song

Kota runs into his old friend Chika on the anniversary of their friend's death. They plan to meet again in a year, but their feelings are complicated.

Les Caméras planquées de François Damiens, Vol. 2

François Damiens has won over French audiences and established himself as the new talent of hidden cameras. In his sketches, he pushes his "victims" to the brink of a nervous breakdown through characters who are as insolent as they are irresistible. Alternately a tattoo artist, computer scientist, or driving instructor, he offers us moments of laughter and pure pleasure...

Li Fet Met (Le passé est mort)

The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.

Kaka Ji: Son of Royal Sardar

A história de Kaká Ji destaca a era dos anos 90 em Punjab, quando a notória gangue Kale Kachia Wale era dominante no estado. Kaka Ji é filho do real Sardar Kartar Singh Brar se apaixona por Deepi, uma jovem garota da aldeia vizinha. As coisas mudam quando Kaká Ji fica preso pela gangue enquanto tentava salvar o amor de sua vida.

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