Informações
Sinopse:
Duração: 00h00m
Data de lançamento: 10 de novembro de 2014
Genêros: Comédia.
Elenco: Daniël Arends,
(1 votos)
?
?
Sinopse:
Duração: 00h00m
Data de lançamento: 10 de novembro de 2014
Genêros: Comédia.
Elenco: Daniël Arends,
In his third show, Daniël Arends argues that good deeds are a form of self interest, and evil deeds are a hobby.
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.
“The rain” and “white noise” , “the outside of water” , “the inside of water” , everything become to together and drifting. A dark dark film in rain forest inspired by a music term to “Tranquil”.
Fabrizzio hired the services of a prostitute to pretend to be his wife and accompany him to spend a weekend in the country house of his friend Romolo, where Aristides Almirante, an important official of the Ministry of Health, has also been invited. the approval of a new medicine of doubtful effectiveness called Fagatín, whose patent Fabrizzio owns.
A deserted cliff. Lightning appearing out of nowhere. A mysterious lady all dressed in white. Netflix’s latest original program, “Meridian,” is spooky, confusing, and only 12 minutes long. That’s because although “Meridian” is available on the streaming service worldwide, it was made not for Netflix’s 83 million subscribers, but for algorithms and their programmers. Director Curtis Clark likely had artistic reasons for adding the film’s strange effects. But those elements are primarily there because they tend to trip up video codecs, or software that compresses and decompresses digital video, and other elements of the streaming pipeline.
Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.