Informações
Sinopse:
Duração: 01h13m
Data de lançamento: 29 de dezembro de 1930
Genêros: Comédia, Música, Romance.
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Sinopse:
Duração: 01h13m
Data de lançamento: 29 de dezembro de 1930
Genêros: Comédia, Música, Romance.
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m)
In a city infested with the LIVING-IMPAIRED aka non-cannibal zombies - three slackers after easy money must fight small-time crooks and an evil megacorporation to save their kidnapped grandma.
France. End of the 19th century. Louise Violet 40, a Parisian teacher, is sent on a mission to the French countryside. But in a place where the daily life is linked to the seasons, land and crops, she must first convince parents to send their kids to school. With the help of the mayor, she is gradually accepted by the parents and their children. But soon, her past catches up with her. Despite the obstacles she faces, Miss Violet will give her heart and soul to her belief that education is the key to freedom.
Quando um acampamento em família dá errado, um veterano aposentado precisa lutar para salvar seus filhos de uma perigosa organização criminosa que os ameaça no meio da floresta.
Michel, the jovial owner of the only café in a small Normandy town, sees his life turned upside down when his teenage daughter is murdered. The community has his back but soon rumor spreads and Michel is singled out. From the ideal father, he becomes the ideal culprit.
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.
Após ser escolhido para representar a França em um congresso internacional, o gendarme Cruchot (Louis de Funès) e sua brigada vão para Nova York.
Após deixar o exército, Brian Flanagan, um jovem ambicioso, tenta um emprego em Nova York, mas inicialmente nada consegue por não ser formado. Então começa a estudar e trabalhar, se tornando um bartender de sucesso graças às dicas dadas por Doug Coughlin, um exímio e veterano profissional. Mas sua ambição abala o relacionamento com Jordan Mooney, sua namorada, e entra em atrito com Doug, que ensinou a ele os macetes da vida noturna.
Bem no estilo Tarantino, com muita violência, O Matador nos traz dois tipos opostos procurando uma saída para seus problemas. Em um bar na Cidade do México, dois profissionais de ramos diferentes se encontram: Danny é um vendedor cujas finanças e casamento estão na pior e Julian é um assassino de aluguel que se diverte como pode, sem pensar nas consequências. Os dois estão em crise: o bom cidadão não está progredindo muito na vida e o seu oposto, o fora da lei, depois de anos matando sem pestanejar, começa a desenvolver uma consciência. Eles acham amizade onde ninguém poderia imaginar e se ajudam de forma surpreendente.