Informações
Sinopse:
Duração: 01h09m
Data de lançamento: 11 de dezembro de 1981
Genêros: Comédia.
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Sinopse:
Duração: 01h09m
Data de lançamento: 11 de dezembro de 1981
Genêros: Comédia.
A sensual drama depicting the sad end of a fateful love story between a traumatized woman who is unable to love the opposite sex. Naomi Tani, who gained popularity as the "Queen of SM," teams up with director Kinya Ogawa, a big name in pink movies, to passionately portray the wavering love of a man-hating chef. Oku (Naomi Tani), who runs a sushi restaurant, is admired by many of the regulars for her bewitching appearance and skillful chef, but due to abuse from her late father, she has lost faith in men and is drowning in lust with Kazue. Oku witnesses Kazue having a relationship with a man, and is shocked when she meets the mysterious chef Shinkichi (Shohei Yamamoto).
Unlucky-in-love Clayton is anxious for his first date with August, whom he met on Grindr, but his roommate Julian's prodding questions and sex-positive support are only worsening Clayton's nerves. When he meets August, Clayton is almost immediately at ease, charmed by how natural the connection feels. The date comes to a screeching halt when August casually mentions his partner, and Clayton walks out on him, aggressively judging his choice to be polyamorous. With his suave veneer fractured, a dejected August seeks comfort from the one person who understands how it feels to seek romance outside a relationship: his boyfriend. A newly confident August then makes the best of what's left of his night by meeting up with a stranger from Grindr for a little night cap.
Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.
Santo takes on Magnus, who has taken control of television stations to broadcast kidnappings and other such criminal activity.
Documentary short about the disastrous dangers of aging, ailing dams.
Wile E. Coyote chases the Road Runner using a skateboard, a hunting falcon, two doves tied to his feet.
Influenced by concerns about overpopulation, the counterculture of the 1960s and the societal effects of television, the play depicts a world of the future where a small elite control the media, keeping the lower classes docile by serving them an endless diet of lowest common denominator programmes and pornography. The play concentrates on an idea the programme controllers have for a new programme which will follow the trials and tribulations of a group of people left to fend for themselves on a remote island. In this respect, the play is often cited as having anticipated the craze for reality television.
It may appear to be smooth sailing, but the atmosphere behind the scenes at Poul and Jørgen's racing team is tense: the big race is just around the corner, and a deposed member of the team is trying to sabotage them. As if that's not enough, Jørgen can't stay away from Poul's girlfriend. The danger of capsizing is therefore imminent - but then Poul's cousin Basse appears.