Informações
Sinopse:
Duração: 01h29m
Data de lançamento: 24 de fevereiro de 2016
Genêros: Drama.
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Sinopse:
Duração: 01h29m
Data de lançamento: 24 de fevereiro de 2016
Genêros: Drama.
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
Nas montanhas do Arizona, uma criatura lendária força um grupo de ladrões se juntar as forças da lei do local. Chase Jackson um viúvo convicto, motorista de guincho, é pego num jogo de gato e rato quando os ladrões liderados por Travis e Vin são forçados a fazer uma refém depois que ela acidentalmente frusta sua fuga. Agora, tendo um inimigo em comum, eles precisam ficar do mesmo lado, a despeito de serem de lados opostos da lei, para não se transformarem na próxima vítima da criatura que os perseguem.
Red is the story of three teens in rural Pennsylvania who are torn apart by the closet. James and Lizzy's seemingly normal relationship is shattered by Aaron, the guy James hooked up with and who is unable to bear their secret and confronts James.
Com 22 minutos de duração, “Creating the World of Pandora” faz o que seu título diz: mostra o diretor, armado de um pequeno exército de especialistas em efeitos especiais, criando um novo planeta do zero. Sem contar os anos em que James Cameron passou em seu próprio estúdio desenvolvendo a técnica 3D de filmagem que utilizaria em “Avatar”, o mini-doc começa mostrando o primeiro dia de produção de fato, em 2007, passando pela fase de captura de movimentos até a composição da trilha sonora. Um trabalho realmente épico, que merece reconhecimento e milhares de prêmios técnicos, até para seu diretor, mas nunca de “melhor filme”.
When two acrobats are fired for fighting with punks in the audience, they go to live with an aunt who's being pressured to sell her house for a real estate development. The developer's nasty son, Lee Fu, decides to muscle the sale, and soon he's at war with the acrobats, plus their unlikely ally, an American named John who used to be Lee Fu's friend. The acrobats open a kung fu school, the scene of several battles with Lee Fu's thugs. A fight to the death, jail time, auntie's surprise decision, a budding acting career, a possessive girlfriend, a debilitating injury, a friendship that needs recalibrating, and Lee Fu's avenger are all in the mix before the end.
Um grupo de ladrões toma conta de uma vila. O personagem principal é o ferreiro da aldeia. Ele tem ficha criminal como ladrão, mas cumpriu pena e agora ganha a vida honestamente. Ele é o primeiro a ser acusado pelos cidadãos da vila, mas acaba descobrindo os verdadeiros criminosos e os desafia.
Unni is a share broker in Coimbatore and leads a comfortable life with his wife Latha and daughter Lakshmi/Lechu . Into the cosiness of such a living intrudes a strangerwho introduces himself as Jose. Cashing in on Unni's forgetfulness, Jose goads him into believing that he is Unni's 7th grade classmate. However, a sense of insecurity pervades, with the unwelcome guest – alcoholic and somewhat eccentric – pitching for an extended stay. Unni's misgivings about the 'mystery man' and his ulterior motives proves true, when his confidant and classmate, Dr Alex Varghese (Murali Gopy), on consultation, reaffirms his doubts that they had no schoolmate in the name of Jose.
"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.