Informações
Sinopse:
Duração: 01h20m
Data de lançamento: 31 de março de 1969
Genêros: Comédia.
Η ωραία του κουρέα
(8 votos)
?
?
Recomendados
The Dream Lovers
A popular and honest man, Dimitris (Dimitris Papamichael), who works at the Perama yards, sings at a local tavern in the evenings. One day, his revered brother proposes to break a villa, and to prove to him that these things do not need any special capacity, he accepts the challenge. The noise they do, however, awakens the daughter of the owner, Zoitsa (Zoe Laskari). The two invaders are surprise. Zoitsa, who understands that Dimitris is not a villain, asks her not to hand him over to the police and is listening. Shortly thereafter, the girl visits the owner of the shipyards in which Dimitris works. The two young men are reunited.
The Asphalt Fever
A police constable tries to find blood during the night for his wife to be born. When he finally finds a blood donor, he will have to deal with a frenzy runaway, who holds hostage children in a school car.
Rate Me
A portrait of teen escort, 'Coco'.
Laughing All the Way
Aubri Callahan is an aspiring comedian and ghost writer for Bella Delmonico, acclaimed stand up comic and owner of the Vista Theater. Performing at the Vista is a key step on the way to stardom and despite her natural talent, Aubri patiently waits for her time to shine, writing jokes for Bella in the shadows of the comedic giants that came before her. When The Vista Theater Variety Show lands in Aubri’s lap she must plan the whole event and find a headliner all before Christmas eve, just three weeks away.
Entrapped - A Day of Terror
Six people get trapped inside an elevator in a hot day of summer, while outside the building just a few steps away something tragic occurs. Are they lucky to be entrapped?...
On Generation and Corruption
Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.