Informações
Sinopse:
Duração: 01h23m
Data de lançamento: 29 de abril de 1958
Genêros: Drama, Mistério.
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Sinopse:
Duração: 01h23m
Data de lançamento: 29 de abril de 1958
Genêros: Drama, Mistério.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Live On Soundstage performance was originally broadcast on the PBS Soundstage series. Songs include cuts from Jon Secada's recent tribute to Latin singer Beny More' and also Jon's classic pop hits, "Just Another Day," "Do You Believe In Us", as well as many others. With a career spanning more than two decades, three Grammy Awards, 20 million records sold, and leading roles on Broadway, Jon Secada's acclaimed romantic sound has resulted in numerous hits in English and Spanish, establishing him as one of the first bilingual artists to have international recognition in both markets.
Federico and Olivia are editing their first short films, which encountered mistakes during shooting. Both discover that they filmed at the same location and accidentally interfered in each other’s films. Together, they find a way to edit their two shorts into one.
The Backstreet Boys' The Video Hits: Chapter One is an entertaining collection of video hits from their albums Backstreet Boys, Millennium, and Black & Blue. It's not an exact duplication of the companion CD, The Hits: Chapter One, as it lacks the video for "Drowning." Each video offers something unique, from sending up the Michael Jackson classic "Thriller" in "Everybody (Backstreet's Back)," to the sci-fi themed "Larger Than Life" to several straight-ahead performances with great sets, special effects, bare chests, and dance breaks. "Show Me the Meaning of Being Lonely" is an especially moving tribute to the band's personal losses. "I Want It That Way" portrays a stylized road tour and "The One" shows a live performance. The best story video is "The Call," a tale of infidelity and seduction.
A series of inexplicable and gruesome killings tear the Barot family apart and destroy the close relationship between father and son. Who could be behind this mindless slaughter? When the truth is discovered, it throws the family into further turmoil. But is the truth really the truth or games of a troubled mind?
A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
Burt, a Marine suffering from Battle Fatigue, is deathly afraid of rain and confined to an asylum, but showing improvement. He wants to live with his sister's family, but they have young children.