(2 votos)
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Segunda parte do épico Chinês sobre a chegada do budismo na China.
A man is found dead, stabbed to death with a knife. The chocking thing is that his face has been removed. After questioning his wife who described the marriage as happy also told that a mysterious foreign man knocked on their door the day before the murder. Beck and his men are given the case.
A young journalist goes deep undercover within a mountain commune and becomes manipulated by a duplicitous cult leader.
A história traz imitadores de Elvis, índios, cowboys modernos, um assassino loiro de 2 metros de altura, um garoto, um xerife corrupto e uma prostituta em uma perseguição de um artefato de valor inestimável roubado durante um jogo de pôquer em um cassino indígena.
Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.
In the later part of his oeuvre, the famous Japanese filmmaker Yasujirō Ozu looks at the society of post-war Japan through family stories from the lower middle class. Arte has compiled a decalogy of 10 films from this period from the director's creative work. This short documentary film, created in this context, explains the film works using fragments of Ozu's notes, which he wrote between 1933 and 1963, elegant drawings and film clips. A fine insight into the themes and aesthetics of this moving cinema about intimacy and the passage of time and a fascinating journey into the moving final part of the Japanese master's work.
An ordinary high school student– with an incontinent grandmother and extremely horny dad, are visited by an extremely pretty avatar to preform a “mind transfer” on Grandma. But before too long, Dad’s sniffing round to get it on with the great-shaped avatar.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.