Informações
Sinopse:
Duração: 02h14m
Data de lançamento: 08 de setembro de 1978
Genêros: Drama, Mistério, Crime.
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Sinopse:
Duração: 02h14m
Data de lançamento: 08 de setembro de 1978
Genêros: Drama, Mistério, Crime.
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
The scares start in Hawaii, where Scooby-Doo and Shaggy are scarfing down the surf-and-turf menu until a giant serpent tries to swallow them faster than you can say She Sees Sea Monsters by the Seashore. In Uncle Scooby and Antarctica, a friendly penguin invites the Mystery, Inc. crew to visit his polar home, which happens to be haunted by an ice ghost! Then, the gang meets music group Smash Mouth while visiting Australia's Great Barrier Reef to watch Shaggy and Scooby compete in a sand castle contest in Reef Grief! Just when they think it's safe to go back in the water... it isn't.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.
After six years away, D.A. Kuryu Kohei (Kimura Takuya) returns to his former Josai branch of the Tokyo District Public Prosecutors Office, just in time for a brewing storm. Kohei's first case starts out simple enough. The suspect, a blonde-haired security guard, had already confessed to manslaughter, but he suddenly retracts his confession and takes things to court with big-shot defense attorney Gamo (Matsumoto Koshiro). It turns out that the security guard is a key alibi witness in a high-profile political corruption case, and the results of his case will directly affect the next. With the media, politicians, and a special investigative team breathing down his back, Kohei must handle the case with care (and flair) to find out the truth.
Depois de algum tempo de ausência, o comissionário de polícia Gilbert e seus parceiros Emilien e Daniel voltaram com a corda toda, agora numa aventura de tirar o fôlego. Um notório bandido belga consegue enganar os policiais de Marselha quando esta o tem sob custória antes de extraditá-lo para sua prisão na África. Mas as coisas se complicam quando a bela esposa de Emilien infiltra-se na perigosa gangue do criminoso. Num final digno das melhores filmes de ação, o comissário Gilbert mostra toda sua habilidade em manejar uma arma e coragem para enfrentar bandidos.
The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.
Shot in Munich just a few weeks after it was taken by the American troops on April 30, 1945.