Informações
Sinopse:
Duração: 01h33m
Data de lançamento: 08 de janeiro de 2018
Genêros: Comédia.
The Concessionaires Must Die!
(3 votos)
?
?
Recomendados
Mantovani, the King of Strings
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Hum Hai Raahi CAR Ke
Hum Hai Raahi CAR Ke is the story of two friends who on one New Year's night decide to travel from Mumbai to Pune. But a trip that should only take a couple of hours ends up becoming an all-nighters, with wacky events keeping them on the road and preventing them from reaching their destination.
Tiny Times 3
Lin Xiao, Gu Li, Nan Xiang, Tang Wanru - these four best friends, after waving goodbye to their school campus and entering the workforce, they are faced with various challenges in their life: friendship, love, and career. Together, they become lost in life, having long forgotten their past courage.
Monty Python: The Meaning of Live
With unprecedented access, this program reveals the humour, chaos and passion that went into bringing the Flying Circus to the stage cumulating in the legendary One Down, Five To Go.
Tales of the Inner Chamber
Love-hate drama of three beautiful sisters in Ooku in Edo Castle.
Dorotheus
In medieval Serbia, a young monk, a master of herbal medicine, grabs the attention of warlord's wife.
Persistence of Vision
It was to be the greatest animated film of all time. Not just an eye-opener, but a game-changer. Richard Williams demanded nothing less, investing nearly three decades into his movie masterpiece. From as early as 1964 he ploughed most of the profits right back into his pet project, a feature inspired by the Arabian Nights and provisionally known as Mullah Nasruddin. He assembled a team of inspired young artists—and brought in the best Hollywood craftsmen to teach them—and devised what would be the most elaborate, kaleidoscopic, mind-boggling visual sequences ever committed to celluloid. Years passed. Potential financiers came and went. Work continued. But it was only after Roger Rabbit that Williams had a studio budget to corroborate the munificence of his imagination.