Informações
Sinopse:
Duração: 00h45m
Data de lançamento: 14 de abril de 2008
Genêros: Documentário.
Elenco: Luke Cresswell,
(10 votos)
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Sinopse:
Duração: 00h45m
Data de lançamento: 14 de abril de 2008
Genêros: Documentário.
Elenco: Luke Cresswell,
Naruto: The Cross Roads (Za Kurosurozu) is the sixth Naruto OVA. It uses the same CGI graphics as Naruto: Ultimate Ninja Storm and was released during Naruto: Shippuden. This OVA premiered at the Jump Festa Anime Tour 2009. Between the Prologue - Land of Waves and Chunin Exams arcs, Team 7 is waiting for Kakashi, who is late again, to start a new mission (B-ranked as Sasuke states). The team sets off while Kakashi explains that Genmai from the Inaho Village is missing, who has vanished in the hills.
Sunny Side Battle! is an OVA that was released with Naruto Shippuden: Ultimate Ninja Storm Revolution. It features Itachi making breakfast for Sasuke in their old home.
Recapitulação da série de TV exibida em 2011. O segundo filme cobre os episódios de 09 a 12.
After parting with Sasuke at the Final Valley, Uzumaki Naruto has been away from the village of Konohagakure to further his training. Two and a half years later, he finally returns to the village and takes his mission in Team Kakashi, then he finds the clue on Orochimaru. Naruto leads the team and heads to the place where Orochimaru is in order to save his friend Sasuke. However, little does he know that "Akatsuki" is seeking after his life to acquire the Nine-Tailed sealed in his body.
John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never shown commercially.
‘Moscou’ is a densely populated working class neighbourhood on the outskirts of Ghent, Belgium. Matty, mother of three, bumps her car into a truck on the parking lot of a supermarket. Johnny climbs down from the cabin. He is infuriated by the dent in his front bumper and yells at Matty. Although impressed by the accident, Matty fights back with sharp words. Their discussion turns into a row, and the police have to intervene. Matty goes home, the trunk of her car dancing up and down. Back in her apartment, Matty takes a hot bath to recover from the afternoon’s emotionswhen the phone rings. It’s Johnny, apologizing for his behaviour on the parking lot. Matty tells him to stay out of her life. A dramatic comedy begins about a woman whose soul is full of dents and bruises.
30 years ago, Switzerland was shaken by a scandal that seems to have already been forgotten: more than 900,000 people were surveilled because of their political convictions. Against the backdrop of this "secret files scandal," Micha Lewinsky sets his film. Conscientious policeman Viktor Schuler is tasked by his superior to infiltrate the Schauspielhaus, a renowned Zurich theatre, in order to keep an eye on its leftist scene. However, Viktor finds himself quite taken with the artist's life and falls in love with the subversive actress Odile Lehmann.
Longa que conta o último episódio do Arco do Vilarejo dos Ferreiros, apresentando a conclusão da violenta batalha entre Tanjiro e o Quatro Superior, Hantengu, bem como o triunfo de Nezuko sobre o sol. Em seguida, o episódio 1 do Arco do Treinamento Hashira, mostrará o começo do treinamento realizado pelos Hashira em preparação para a batalha final contra Muzan Kibutsuji, que também será exibido pela primeira vez.
Trabalhadores atravessam o portão da fábrica Lumière para deixarem o local, seguidos por uma carruagem puxada por dois cavalos. Foi exibido em 22 de março de 1895, no Salon indien du Grand Café, quando Louis Lumière fez pela primeira vez uma demonstração pública de seu cinematógrafo. Pode ser considerado como o primeiro filme a ser projetado em público e originou 3 refilmagens dirigidas pelos próprios Lumière.
Um dos primeiros filmes da história mostrando a chegada do trem a estação de Lá Ciotat, França.
Este documento arrepiante sobre os horrores do Holocausto, filmado apenas dez anos após a libertação dos campos de concentração dirigidos pelos nazistas, usa imagens e imagens de guerra dos campos agora vazios.
Nos filmes do cineasta japonês Yasujirō Ozu (1903-63), as pessoas aparecem constantemente andando pelos corredores. Sua arte reside nos espaços intermediários da vida moderna, no transitório: as vielas não são mais escuras, armadilhas ameaçadoras onde nasce o suspense, mas simplesmente lugares de passagem.