Informações
Sinopse:
Duração: 01h45m
Data de lançamento: 12 de abril de 1962
Genêros: Comédia.
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Sinopse:
Duração: 01h45m
Data de lançamento: 12 de abril de 1962
Genêros: Comédia.
Veja os bastidores da turnê que combina performances musicais com uma visão simples da vida pessoal e profissional de Jennifer Lopez, quando ela desafiou a si mesma em sua primeira turnê mundial de seis meses, levando suas duas filhas com ela.
A war veteran tells his personal experience in “The War” to a psychiatrist, as a part of a social experiment. But nothing is as it seems…
The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.
August Underground's Penance is the personal home video of two sociopathic killers on a murder spree. Again two killers videotape their bloodthirsty madness, but Penance also shows their slow decline.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Evan Lake é um condecorado agente da CIA cuja entrega, determinação e patriotismo constituem uma inspiração para todos. No entanto, uma doença terminal obriga-o a retirar-se. Mas a reforma vai ter de esperar. Quando o veterano descobre que o terrorista Muhammad Banir ainda está vivo, decide lançar-se numa derradeira missão: dedicar o seu último fôlego a perseguir e eliminar de vez o seu inimigo de morte.
For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.
A young actress arrives late to a casting, making up a great excuse without knowing a small detail.