Informações
Sinopse:
Duração: 01h30m
Data de lançamento: 28 de outubro de 1990
Genêros: Comédia.
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Sinopse:
Duração: 01h30m
Data de lançamento: 28 de outubro de 1990
Genêros: Comédia.
A poster worker must remove the poster of the original movie, when the figures of Renato and Paolo suddenly moves and leaves the poster driving an ambulance dressed as nurses.
A man is forced to completely change his habits when he decides to move from the country to the city.
A few funny little novels about different aspects of life.
A series of skits involving customers and store personnel from several departments of the big department store.
An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.
Ciottoli is a journalist with absolutely no prospective for his career, with a lot of debts and a mobster that want him died. Unexpectedly he win the national lottery (almost Eur 2.5 Mln) and try to remain unanimous hiding the winner ticker into his typewriter. Ironically his director order to him to write an article on the mysterious winner. When he is back home he discovers all his furniture has been confiscate and will go on a public auction. He will try desperately to buy back the worthless typewriter while all his previous problems still follows him, especially the mobster...
Cientistas de uma base da NASA no Pólo Sul descobrem um misterioso objeto enterrado no gelo. Ao mesmo tempo, diversas estações de pesquisa e radiotelescópios espalhados pelo mundo interceptam sinais de rádio muito estranhos. O especialista em criptologia Julian Rome constrói um decodificador e decifra o complexo código, descobrindo que a mensagem é um alerta extraterrestre.
2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.