Informações
Sinopse:
Duração: 01h36m
Data de lançamento: 14 de março de 2017
Genêros: Drama.
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Sinopse:
Duração: 01h36m
Data de lançamento: 14 de março de 2017
Genêros: Drama.
Franck just had the most crazy and wonderful idea for a company that would finally get him and his friends proper jobs. As Uber delivers food, Amazon daily items, Song Express will deliver songs. To your friends, or your loved one, or yourself, anywhere you want. It is brilliant, it is foolish, it could work… For Franck, Jean-Claude, Sophie and José, Song Express becomes something more than just a professional challenge: it is the dream of a lifetime.
Assim como o filme original, a continuação é ambientada num futuro próximo onde bebidas alcoólicas e drogas são proibidas, exceto durante um dia maravilhoso do ano. Neste ano, o tão aguardado dia vai cair milagrosamente no Natal.
Elon Musk e os engenheiros da SpaceX embarcam em uma missão histórica para levar astronautas da NASA de volta à Estação Espacial Internacional.
Durante a guerra do Vietnã, uma base da Coréia do Sul começa a receber misteriosas transmissões de rádio de soldados que estão desaparecidos há mais de seis meses. Mesmo assustada com os acontecimentos uma tropa militar é enviada para uma terra conhecida como R-Point para colher pistas sobre a localização dos soldados perdidos, o que parecia ser uma busca tranquila e uma simples missão de resgate se torna algo muito mais terrível do que qualquer batalha.
Um vigilante toca no ponto fraco de Knight quando ele ameaça explodir as comemorações de 4 de julho da cidade.
A bookshop renowned for its rare works is mysteriously and filled with copies of a book entitled 1, which doesn't appear to have a publisher or author. The strange almanac describes what happens to humanity in a minute. A police investigation begins and the bookshop staff are placed in solitary confinement by the Bureau for Paranormal Research. As the investigation progresses, the situation becomes more complex and the book becomes increasingly well-known, raising numerous controversies. Plagued by doubts, the protagonist has to face facts: reality only exists in the imagination of individuals.
Éléonore Berthier, 34 years old, keeps living as a teenager, collecting odd jobs and one night stands. Following a burnout, her mother and sister decide to take action to help her make a fresh start.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.