Informações
Sinopse:
Duração: 01h39m
Data de lançamento: 11 de abril de 2015
Genêros: Terror.
Não se Aproxime
(7 votos)
?
?
Recomendados
(re)começo
Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.
Re-Cycling
This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.
Can't Win. Do Try.
In a bid to extend his adolescence, Gordon convinces his reluctant fiancée to allow his best-friend Jez and himself to live in the house they have just bought in a bachelor pad situation for the year before they get married.
Cinema Pameer
Cinema Pamir is where the people of Kabul come to escape and dream away the war that surrounds them. This is the story of the cinema itself, the many inspiring characters surrounding it, how everyday life has been torn apart, and how film can inspire and catalyze change even in the struggling and poor society of wartime Afghanistan.
Lost Chapter of Snow: Passion
Iori, taken from an orphanage by a family for domestic work, runs away and is adopted and raised by two young men. Ten years later, she crosses paths with her former step-sister, who is soon poisoned to death, Iori being the prime suspect.
The Metropolitan Opera: Akhnaten
Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.