Informações
Sinopse:
Duração: 01h27m
Data de lançamento: 30 de dezembro de 1956
Genêros: Comédia, Música, Romance.
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Sinopse:
Duração: 01h27m
Data de lançamento: 30 de dezembro de 1956
Genêros: Comédia, Música, Romance.
A young man tells the dream he had about running away with the daughter of chief of police to his grandma. People spread and exaggerate rumors as if it was a real story until it reaches to the chief himself.
Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.
Jura is 23 years old - and Lena is 23. They live in Budennovsk, play computer games, walk and learn. They live in a city where Shamil Basayev entered 23 years ago with militants, and know almost nothing about the events of that time.
As mais divertidas histórias da turma com bichos e muita bagunça. Monicão e Mingau em: "Muita Confusão para um Só Mônicão", "Quem Foi Que Fez Pipi Aqui?", "Não Morda Tudo que Voa", "A Revolta dos Carecas", entre outras.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Monique is a vivacious French au pair girl who not only looks after the children, but also sexually satisfies the parents.
Bill Elliot is back as Red Ryder in Cheyenne Wildcat. Also back are Ryder's perennial cohorts Little Beaver (Bobby Blake, later Robert Blake of Baretta fame) and the Duchess (Alice Fleming). When not pummeling the bad guys, Ryder is the reluctant apex of a love triangle.
Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.