Informações
Sinopse:
Duração: 01h03m
Data de lançamento: 01 de janeiro de 1967
Genêros: Comédia, Drama.
(2 votos)
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Sinopse:
Duração: 01h03m
Data de lançamento: 01 de janeiro de 1967
Genêros: Comédia, Drama.
Dessa vez, Franjinha projeta na telona histórias de aventura e ação. "O Corpo Fala", "Máquina do Tempo de Novo?", "Abduzidos?", "Turma da Mônica Contra o Capitão Feio", entre outras.
Seo-yeon is being tutored by Woo-hyeon who is younger than her. She grew interested in her tutor, Woo-hyun, the first time she met him, and he is also fond of Seo-yeon. Seo-yeon succeeded in seducing Woo-hyeon with the help of her friend Min-joo. Even if Min-joo is aware of what Seo-yeon feels, she approaches Woo-hyeon. Seo-yeon gets mad at her best friend when she met Woo-hyeon. Min-joo, aware of the fact that it's her faultis also angered by Seo-yeon's appearance and tells her to meet Jeong-soo, her friend. Seo-yeon is also angry and tells Min-joo that she have to meet Jeong-soo as well. A bittersweet story about a man who is a very close friend is just about to start.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Cinco anos depois de sobreviver a guerra entre as famílias Sanno e Hanabishi, o ex-chefe de yakuza, Otomo, agora trabalha na Coréia do Sul. Um pequeno incidente provoca tensões e faz ressurgir um conflito que logo fica fora de controle e inflama uma violenta luta de poder. Otomo, então, retorna ao Japão para resolver as coisas de uma vez por todas. Terceira parte da trilogia.
Short animated film.
Segue a jornada de 3 Guardiões da Vida após a morte e Su-hong em sua jornada através de sua 49ª tentativa para ganhar suas reencarnações e como os Guardiões lentamente recuperam suas memórias esquecidas através do Deus da Casa no mundo dos vivos.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
Sem aviso, milhões de misteriosas "portas" alienígenas aparecem de repente ao redor do globo. Com pressa para determinar o motivo de sua chegada, a humanidade deve trabalhar em conjunto para compreender o propósito dessas anomalias cósmicas. Incidências bizarras que ocorrem ao redor das portas sensíveis levam a humanidade a questionar sua própria existência e uma realidade alterada enquanto tentam entrar nelas.