Informações
Sinopse:
Duração: 01h32m
Data de lançamento: 12 de julho de 1995
Genêros: Thriller, Drama, Mistério, Cinema TV.
(2 votos)
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Sinopse:
Duração: 01h32m
Data de lançamento: 12 de julho de 1995
Genêros: Thriller, Drama, Mistério, Cinema TV.
Centuries ago, in a wild and inhospitable territory, The Heir is betrayed and nearly killed by people he helped. He manages to survive and begins a journey of revenge against his now enemies.
Apesar de suas carreiras bem-sucedidas, duas melhores amigas de 30 e poucos anos nunca param de ouvir que precisam encontrar um homem. Quando um belo pastor chega para as festas de fim de ano, ambas tentam empatar na tentativa de ganhar seu afeto.
Set in 1989, story of a man beat up by two ex-policemen and left to die in a dump. Marek survives after the brain surgery that leaves him amnesiac. He wanders through the city, sought by his assilant, who fear he will testify against them. Marek finds shelter with a girlfriend/bagwoman who supposedly was once queen of Paris boulevards. Marek regains his memory just as the villains are to get him. He eventually returns to his house only to find out that his mother died and his brother left for Australia.
Vestido como Sherlock Holmes, Slick precisa desvendar o caso de um mágico que transforma os convidados da festa de Jeff em versões assustadoras deles mesmos.
Um cirurgião respeitado se vê envolvido em um escândalo após a morte suspeita de um paciente. Uma jornalista determinada investiga o que realmente aconteceu.
One of opera’s grimmest tragedies received a powerful new production during the 2021–22 season when director Bartlett Sher unveiled his Weimar-era staging of Verdi’s Rigoletto. In this performance, recorded as part of the company’s Live in HD series of cinema transmissions, commanding American baritone Quinn Kelsey gives a searing portrayal of the title character, a deformed court jester determined to protect the virtue of his daughter, Gilda, sung by radiant soprano Rosa Feola. His debauched employer, the Duke of Mantua, is tenor Piotr Beczała, with dynamic young maestro Daniele Rustioni on the podium to lead a cast that also features bass Andrea Mastroni as the assassin Sparafucile and mezzo-soprano Varduhi Abrahamyan as Maddalena.
Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.
The staff of "The Admiral: Roaring Currents", the biggest film of all time at the South-Korean box office, has assembled once again for a documentary. Critically acclaimed director KIM Han-min and his team delves into the actual background, prelude, and preparations of Admiral YI Sun-sin in 1597 and how the admiral’s battle plans have won him his most remarkable victory throughout his career.