Informações
Sinopse:
Duração: 03h10m
Data de lançamento: 10 de novembro de 2017
Genêros: Música.
Spock's Beard: Snow Live
(1 votos)
?
?
Recomendados
Dave Matthews Band: Live Trax 40 - Madison Square Garden
On December 21, 2002 DMB fans were treated to one of the most exciting collaborations in the band's history - James Brown and members of his Soul Generals joined Dave Matthews Band, and members of Karl Denson’s Tiny Universe for Brown’s classic “Get Up (I Feel Like Being A) Sex Machine.” This incredible guest appearance shows Brown trading dance moves with Dave, and concludes an epic 25-minute funk session of "So Much To Say > Anyone Seen the Bridge? > Too Much > Get Up.” While an obvious highlight of the evening, it is not the only one. “Seek Up” features superb performances from both LeRoi Moore and Butch Taylor, while the evening’s momentous encore of “Halloween > Ants Marching” could not have closed out a multi-night, sold out run at NYC’s preeminent Madison Square Garden in better fashion.
NULL
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
HELLO
Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?
Operation: Pomme De Terre
This short film, made for a 48-hour film festival, tells the story of a secret agent on a mission to save the world.
Johnny Yesno Redux
Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.