Informações
Sinopse:
Duração: 01h35m
Data de lançamento: 08 de janeiro de 2019
Genêros: Drama.
(9 votos)
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Sinopse:
Duração: 01h35m
Data de lançamento: 08 de janeiro de 2019
Genêros: Drama.
Truck driver Teddy's late night stop at a gas station takes a dark turn when he meets the mysterious hooker Katerina, leading to unexpected consequences.
Isabel Sarli as a nymphomaniac wife who can't remain faithful to her husband so he seeks help from a psychologist to find out why his wife is always cheating on him with both men and women.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
This is not a film by Khavn. A crime-thriller retro-road movie based on the Kuratong Baleleng Rubout Massacre of 1995.
There is a cultural revolution going on in Canada and Faith Nolan and Grace Channer are on the leading edge. These two African-Canadian lesbian artists give back to art its most urgent meanings--commitment and passion. Grace Channer's large and sensuous canvasses and musician Faith Nolan's gritty and joyous blues propel this documentary into the spheres of poetry and dance. Long Time Comin' captures their work, their urgency, and their friendship in intimate conversations with both artists.
Andreia, Pedro e Ricardo não aceitam as coisas como elas são, não se encaixam em lado nenhum. Têm dentro deles uma força invisível que se espalha por todo o lado. É como uma energia selvagem, um desejo de mudar as coisas, de viver de uma forma diferente. Não sabem muito bem o que querem, mas há sempre alguma coisa que os incomoda. São sobreviventes. São os mutantes portugueses, mas também existem mutantes em todos os lugares. Talvez o mundo preferisse que eles não existissem, mas eles existem. Ao longo de todo o filme, eles sonham, choram, riem, têm filhos, morrem, fogem.
A New Orleans cop tries to track down and stop a vicious and demonic killer whom has sold his soul to the devil for invulnerability and immortality.
Wolfgang Amadeus Mozart, according to his biographers (and his letters confirm this fact), was an extremely sensuous person, and Nachtstück (Nocturne) was intended to refer to this aspect of his personality: We glide into "Eine kleine Nachtmusik" a bit, then abandon standardized paths of conventional representational film and encounter a few seconds of passionate sensory filmæan example of something I would like to call "physical cinema." The thesis: Herr Mozart would have enjoyed it.