Informações
Sinopse:
Duração: 01h33m
Data de lançamento: 06 de julho de 2018
Genêros: Documentário, Drama.
Elenco: José Díaz,
(18 votos)
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Sinopse:
Duração: 01h33m
Data de lançamento: 06 de julho de 2018
Genêros: Documentário, Drama.
Elenco: José Díaz,
Pretty Joy and her friend come to Moscow to shoot a commercial. A taxi driver, who recruits girls for an underground organization run by a distant descendant of Rasputin, suggests they visit the Rasputin Museum. During the tour, the girls are hypnotized by the evil character, who hypnotizes his victims before using their charms to seduce the rich tourists.
Scooby-Doo, Fred, Daphne, Velma e Salsicha estão de volta e o principal mistério deles será desvendar o mistério do Mecachorro, um cachorro robô gigante que vem assombrando a família de Melanie.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
Allie and Marily are rivals in the small town of Meadow Ridge, their bakeries across the street from each other. Their rivalry intensifies when the Royal Prince of Samavia rolls into town looking for a royal baker for his brother’s coronation. When Allie and the Royal Prince hit it off, it seems he might be in the market for more than just a terrific cake. But will the sneaky Marily let Allie get it all: the gig and the prince? Of course not.
The Oedipus Project is an innovative new digital initiative by Theater of War Productions that will present acclaimed actors performing scenes from Sophocles’ Oedipus the King as a catalyst for powerful, healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, written and performed in 429 BC during the time of a plague that killed one-third of the Athenian population, is a timeless story of arrogant leadership, ignored prophecy, and a pestilence that ravages the city of Thebes. At the time the play was first performed, the audience would have been reeling in the wake of a pestilence and its economic, political, and social aftermath. Seen through this lens Oedipus the King appears to have been a powerful public health tool for helping Athenians communalize the trauma of the plague, through a story that is as relevant now as it was in its own time.
Virtuoso Afro-Cuban-born brothers—violinist Ilmar and pianist Aldo—live on opposite sides of a geopolitical chasm a half-century wide. Tracking their parallel lives in New York and Havana, their poignant reunion, and their momentous first performances together, Los Hermanos/The Brothers suggests what is possible when walls come down, and borders are crossed. A nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, with a guest appearance by violin maestro Joshua Bell and the Harlem Quartet.
Protests erupt when a halfway house for ex-cons opens in a middle-class neighborhood. As neighborhood protests intensify outside the house, the heat and tension escalate inside until they explode.
Fidel, an Asturian miner, after the closure of the mine where he works, decides to walk to Madrid with his family, to ask the king why the Constitution is not met, specifically the article that points out that all the Spanish citizens have the right to have a decent work. Will the king receive him?