Informações
Sinopse:
Duração: 00h57m
Data de lançamento: 15 de dezembro de 2017
Genêros: Documentário, Música.
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Sinopse:
Duração: 00h57m
Data de lançamento: 15 de dezembro de 2017
Genêros: Documentário, Música.
Um homem enfurecido na estrada confronta um motorista idoso. E então a situação vira um inferno.
Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
Shivarudra Lingaiah, an MLA candidate, who along with Dheeraj, is awaiting to extract vengeance upon Prabhakar by killing his Daughter Nithya. She arrives at Bangalore to Talagavara to visit her late mother's grave and is kidnapped by Dheeraj's gang on the way. Agastya is an automobile mechanic, who saves her from Dheeraj's gang. He takes her to his house for safeguarding as advised by Prabhakar's family-friend, Vishwa.
Agora que a lua de mel acabou e eles já são pais, Omar e Salma precisam se esforçar para criar as duas filhas e manter acesa a chama da paixão.
KILL SHOT is an in-depth documentary about the pre-production, production, and post-production process of making New Line Cinema's FINAL DESTINATION 3. We explore the history of not only the film itself but of its filmmaking partners, Glen Morgan and James Wong and gain insight on the production as a whole. Includes early development meetings, on-set action, interviews with cast and crew, visual effects development, test screening process as well as an elaborate ending re-shoot.
In the summer of 2015, former US Marine and world record weightlifter Janae Marie Kroczaleski was publicly outed as being transgender. The reaction was universal: her sponsors abandoned her, she was disowned by her parents and banned from competing. This film follows Janae as she attempts to find her place in society. Initially wanting to strip off the muscle and become a much smaller looking woman, she found herself unable to lose the muscle she so desperately gained. She now finds herself living one day as an alpha male and the next day as a delicate girl. Will Janae be able to handle her muscle relapses? Will her passage from being a male bring her the peace she's looking for? Will society accept a 250lbs muscular woman? Is her path personal redemption or physical and psychological disaster?