Informações
Sinopse:
Duração: 01h28m
Data de lançamento: 27 de julho de 2018
Genêros: Drama.
(5 votos)
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Sinopse:
Duração: 01h28m
Data de lançamento: 27 de julho de 2018
Genêros: Drama.
Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.
Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.
Jackson is a lonely serial killer who is really beginning to question the point of all his killing. He is losing focus on why he started to kill in the first place. The future looks bleak until he meets a blind girl, Shelly, who begins to show him that life isn't so bad. It is all up to Jackson to decide if he's going to stop killing and start learning responsibility and think about finding a real job and starting a family.
Quando Raven finalmente tomou controle do seus poderes, ela o usou para fazer o bem, mas sua mãe, a Rainha Má, não está gostando disso e tenta fazer de tudo para quebrar o espelho onde está presa. (Esse filme acontece no início da 4ª temporada)
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
Let's Get Loud é uma versão expandida do primeiro especial de TV de Jennifer Lopez, gravado em duas noites esgotadas no Roberto Clemente Stadium em Porto Rico. J. Lo apresenta seus maiores sucessos, além de uma performance especial de Selena, I Could Fall In Love.
A few young waiters at a popular New Jersey restaurant are dreaming of becoming actors or otherwise getting into the artistic community.
A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.