Informações
Sinopse:
Duração: 00h00m
Data de lançamento: 08 de junho de 2018
Genêros: Comédia.
(2 votos)
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Sinopse:
Duração: 00h00m
Data de lançamento: 08 de junho de 2018
Genêros: Comédia.
A young man from a rural village travels a long way to meet his long-lost grandfather on his deathbed, only to find himself taking over the large triad enterprise his grandfather left behind, with hilarious results.
Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”
This first spin-off movie focuses on Ugly Kwan, played by Francis Ng.
Milionário dono de mina oferece fortuna a caçador de recompensas para vigiar o banco onde guarda seus depósitos. O pistoleiro tem desagradável surpresa ao descobrir a razão de sua cantratação.
Seokjin is a boss, but he follows Jaejin, who takes care of himself like a neighbor. Jaejin is also a fan of such Seokjin. Jaejin is a sexless couple, so Enjin is newly married. However, Seokjin, who loves breasts, is also dissatisfied with his wife who does not show her breasts during sex. While Jaejin leaves for a moment, Sujin, the wife of Jaejin, comes to Seokjin's eyes, but Sujin keeps her eyes on Sujin's chest full of volume with deep and beautiful goals. Jaejin and Seokjin drink at Seokjin's house after work. Jae-jin, who has a thirst or goes out to drink water, sees Jeong-hee sleeping in the kitchen. Seok-jin, who likes breasts, and Jae-jin, who likes hips, have a secret time with their wife.
"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.