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Sinopse: O Signo de Vênus é um filme de comédia italiana de 1955, dirigido por Dino Risi e estrelado por Sophia Loren. Foi inscrito no Festival de Cinema de Cannes de 1955.
Duração: 01h41m
Data de lançamento: 12 de março de 1955
Genêros: Romance, Comédia.
Scandal in Sorrento or Pane, amore e ... é um filme de comédia italiana dirigido por Dino Risi. Este é o terceiro filme da trilogia, formado por Bread, Love and Dreams em 1953, Bread, Love and Ciúme em 1954.
The film is divided into four episodes that blends sex and comedy.
When Marino goes to Rome for an event, he certainly does not imagine meeting Marisa, who will become the love of his life. But once love is found, it is a matter of spreading it and here the difficulties begin: first the father who opposes it; then, after the death of his father, the gossips who make Marino believe that Marisa was a little good, so much so that Marisa runs away. Repentant, Marino searches in vain and then, almost by accident, finds her again, Mrs. Ciceri. But love admits no obstacles, not even that of a deaf and dumb husband.
Conheça o show que teve lotação esgotada em minutos, e que se tornou um fenômeno mundial. Prepare-se para a mais espetacular e emocionante experiência musical do mundo com Hannah Montana e Miley Cyrus no filme/show "O Melhor dos Dois Mundos"! Pela primeira vez, Miley canta como ela mesma e como Hannah Montana no mesmo palco.
A juíza Margaret Turner (Myrna Loy) descobre que sua irmã adolescente, Susan (Shirley Temple), se apaixonou por Richard Nugent (Cary Grant), um artista de meia-idade que já foi julgado por ela. Quando Susan é encontrada no apartamento dele, ele é “condenado” a sair com Susan até ela perder atração por ele.
A young woman dutifully marries an older millionaire and then falls in love with a handsome nobleman-- who'd previously saved her life-- on her unhappy honeymoon.
Two POWs learn of a treasure of gold hidden in a cemetery, and escape from their POW camp to look for it.
Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.