Informações
Sinopse:
Duração: 01h31m
Data de lançamento: 02 de janeiro de 1969
Genêros: Drama, História.
(1 votos)
?
?
Sinopse:
Duração: 01h31m
Data de lançamento: 02 de janeiro de 1969
Genêros: Drama, História.
Hardly anyone knows the artist, but almost everyone knows her paintings: Tamara de Lempicka, icon of the 1920s. Her art deco paintings of women in cars or in evening dress adorn book covers and break auction records. But who was she? The ARTE documentary by Grimme Prize-winning author Sylvie Kürsten ventures a self-portrait of Lempicka, narrated and played by Nicole Heesters.
Broke and anxious, two sibling bus drivers take a wealthy customer to the countryside for Tet when four fuzzy passengers suddenly join the ride.
Pretty Joy and her friend come to Moscow to shoot a commercial. A taxi driver, who recruits girls for an underground organization run by a distant descendant of Rasputin, suggests they visit the Rasputin Museum. During the tour, the girls are hypnotized by the evil character, who hypnotizes his victims before using their charms to seduce the rich tourists.
In 1797, 14-year-old William Gibson sails from Dundee in Scotland to Gothenburg. This will be the start of a young man's journey on a road that led to the construction of a factory and a society, which is largely unique in our country's history. Jonsered's factories, which came to own a whole community and took care of everyone, from the cradle to the grave. The factory owned a nursing home with a maternity ward, a nursery for the youngest, a school that fostered the prospective workers, a girls' home for young workers, housing, a trade booth, a church with a factory-employed priest and, finally, an old age home for those who rested after a long working life.
Two elderly roommates at a hospice are randomly selected for a Gene-Therapy Trial that rejuvenates their bodies, making them younger. Given a second chance at love, lust and life, with the memories of their past life intact, they now must find their place in a new world that has left them behind.
Bartender at Large is a love letter to the art of bartending and the world of craft cocktails. It provides an examination into the modern cocktail renaissance, and allows you to experience it all through the lens of one bartender’s road trip. The trip itself takes viewers behind the scenes on a trek across the western U.S., from a speakeasy in Denver to a dive bar in Tucson to an elegant hotel bar in Santa Fe. In addition, the film highlights the perspectives of those benefiting by the cocktail’s recent boom—local farmers, small distillers, eager customers—but most importantly it showcases the one who puts it all the together; the bartender. This is a film, which tells a story that is every bit as intoxicating as the beverages it describes.
Festival de Cinema de Cannes de 1975, Crônica dos Anos Ardentes de Mohamed Lakhdar-Hamina recebe a Palma de Ouro. Esta é a primeira vez para um filme africano. Crônica meticulosa da evolução do movimento nacional argelino desde 1939 até a eclosão da revolução em 1º de novembro de 1954, o filme demonstra inequivocamente que a “Guerra da Argélia” não é um acidente da história, mas um lento processo de revoltas e sofrimento , ininterruptamente, desde o início da colonização em 1830, até este “Dia Vermelho de Todos os Santos” de 1º de novembro de 54. Composto por seis capítulos, o filme pinta o quadro impiedoso da história política e bélica da Argélia colonial. No seu centro, Ahmed desperta gradualmente para a consciência política contra a colonização, sob o olhar do seu filho, símbolo da nova Argélia, e de Miloud, arenga meio louco, meio profeta, encarnação da memória popular da revolta, da libertação da Argélia e do seu povo.
Angola, 1961. Domingos Xavier, militante anticolonialista e membro do Movimento Popular de Libertação de Angola, é detido pela polícia secreta portuguesa e levado para um local desconhecido. Sua esposa Maria embarca em uma marcha pelo país em busca do marido.