Informações
Sinopse:
Duração: 00h22m
Data de lançamento: 01 de janeiro de 2002
Genêros: Comédia.
(2 votos)
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Sinopse:
Duração: 00h22m
Data de lançamento: 01 de janeiro de 2002
Genêros: Comédia.
After an unthinkable tragedy, a man's reality is shattered by a seemingly haunted flaslight.
Após o suposto suicídio de seu irmão padre, Grace viaja para o remoto convento escocês onde ele morreu. Desconfiando do relato da Igreja, ela descobre assassinato, sacrilégio e uma verdade perturbadora sobre si mesma.
O documentário explora a função da nudez na arte a partir do olhar do fotógrafo David Bellemere. Contratado pelo fundador do projeto NU Muses para criar um calendário de nu artístico, Bellemere desmembra seu processo criativo.
A new father going through a marital separation joins a dating app and matches with a beautiful but mysterious young woman... whose powers of seduction and manipulation entangle him in a mystery more horrifying than he could have ever imagined.
Once upon a time, in a far away, across the dark jungle, a castle in the sky, there lived a king of Evils with his evil guards. One day, one of his magicians showed the magic mirror and shows a beautiful human girl in this mirror, and told that if he wants to continue to be a king he must marry this girl. The story of "The Evil Marriage movie" revolves around the character of "Nur" (a human girl) who was kidnapped by the Evil's king guards and took her to unfamiliar world where she will have to marry the evil in order for others to live. But, there is someone who sneaks into the dark jungle to reach the evil castle and rescues her.
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
An abstract short film about an alien invasion.