Informações
Sinopse:
Duração: 01h37m
Data de lançamento: 30 de abril de 2002
Genêros: Ficção científica.
(5 votos)
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Sinopse:
Duração: 01h37m
Data de lançamento: 30 de abril de 2002
Genêros: Ficção científica.
The possibility of dialogue on the Ukrainian crisis, as seen from the West and from the East. A debating contest meets a telephone call by Vladimir Zhirinovsky to the Ukrainian minister of the interior. Stuck in the middle is man in all his nakedness.
Former football player and wrestler Chris Nowinski's quest to publicize recent findings about the often dire consequences of head concussions sustained by athletes in contact sports — injuries that have previously been considered momentary setbacks and ignored in the name of toughness and dedication to the team.
As a little boy Kei saw his fisherman father lost at sea only seconds after catching his parting gift of a pan flute carved from whalebone. A few years later young Kei and his kid brother Moito discover a baby whale trapped by a rock in a shallow inlet near the Spanish coast.
An evil ninja (played by Cornish born actor Mike Abbott) is trying to get his hands on a manual that will make him 'The Ultimate Ninja'. It's kill or be killed in this brilliant Ninja fest.
Like her directorial debut Twelve Nights, Twelve Days depicts 12 scenes of a tumultuous marriage, from its blissful beginning through its bitter collapse. On day one, Jeannie and Simon seem to have the makings of a perfect marriage, but the following 11 vignettes reveal the various conflicts, both big and small, that slowly eat away at their bond. Love may build a marriage, but Twelve Days shows that reality can just as easily shatter it.
Kevin mata um idoso por piedade pois via que o velho sofria e assim desejava. No entanto, no tribunal, Claude, o implacável advogado de acusação quer que o júri mande Kevin para a cadeia. O acusado, porém, é inocentado e vê a mulher de Claude se apaixonar por ele. Quem narra este episódio é Clive, velho escritor à beira da morte que, em seu aniversário, recebe a visita dos filhos. Alain Resnais utiliza-se, mais uma vez, de dispositivos oníricos e psicanalíticos para contar uma estória.
Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.