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After a breakup, a young woman goes to a mountain resort on vacation and falls for a married policeman. Unbeknownst to her, her ex is also vacationing there.
Con man Aldo breaks out of jail and seizes a car at gunpoint, taking its passengers—bumbling police officer Giacomo and nitpicking civilian Giovanni—hostages. An unlikely friendship blossoms.
A queue at the ATM machine, a displaced family after a seismic shock that has half-washed their home, a tour within an art gallery, moments of everyday life that become the cues for the emergence of comic, farce, paradoxical situations – trademarks of one of the most successful Italian comic groups.
Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated -- since Maggie's family is unaware of her sexual orientation, and Maggie is not open to sharing that information.
Javier encontra trabalho como o Palhaço Triste em um circo com um elenco de estranhos personagens. Lá conhece Sergio, outro palhaço terrivelmente desfigurado, com quem ele inicia uma batalha feroz para ganhar o amor da mulher mais bela e cruel do circo.
Em Bem-Vindo ao Norte seguiremos a transferência do jovem carteiro sulista, que deu hospedagem no primeiro filme a Alberto Colombo, para o norte, mais concretamente para Milão. Com ele viajarão também alguns amigos e vamos assistir às aventuras de um grupo a tentar sobreviver com os clichés e ideias pré-concebidas dos habitantes nortenhos.
Claudia is married with Giovanni, a rather dull type. Meek Giacomo is happily divorced, until he meets her. Aldo is a colorful cabbie with whom she had an affair. Who'll win her heart?
A wealthy broker, his loyal butler, and a poor street seller all see their social positions change in a twist of fate.