Beef II
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Beef III
Beef III is the third installment of the Beef series. It is a documentary about Hip hop rivalries and beefs (arguments). It was released on DVD on November 15, 2005. It was directed by Peter Spirer and lasts approximately 85 minutes. It was narrated by DJ Kay Slay and scored by Nu Jerzey Devil. The next film in the series is called Beef IV.
Erotic Curse of Cairo
The famous magic's box was stolen and the Professor Fez, a well-known sex specialist, has to go to Egypt in order to get back "the click"
Frisco Sal
Sal comes to the Barbary Coast from New England to find out who murdered her brother. She gets a job signing in Dude's saloon, falls in love with Dude, then wonders if he might be involved in the murder.
Estorvo
Depois de uma noite mal-dormida, o protagonista acorda com a campainha da porta tocando insistentemente. Pelo olho mágico, vê um desconhecido de terno e gravata, barba e cabelos longos, que lhe lembra alguém que não consegue identificar. Não sabe o porquê daquele homem estar ali nem quem ele é, mas tem uma certeza imediata: ele representa uma ameaça à sua vida. Veste-se às pressas, aproveita uma distração do visitante e escapa de sua própria casa. Com a certeza de que o desconhecido está em seu percalço através da cidade, ele passa a desconfiar de tudo e de todos numa fuga sem destino, que penetra cada vez mais fundo no seu próprio mundo.
Los problemas de mamá
Mama's four girls are all newlyweds or engaged to be married. Four hubby/fiances plus inlaws = wacky complications.You betcha.
Was There Karotin?
The beginning of the 30s of the last century. A leak of classified information was found at the Soviet shipbuilding plant. Arriving under the guise of a scientist, the legendary chekist Karotin begins to unravel the threads of the conspiracy of the fascist spy organization. He is helped by inexperienced but active local detectives. Mastering the basics of the counterintelligence, they fall into a situation the other one funnier.
Small Boat
The photographs of two elderly people used in this work were taken during a train journey in the first half of Ishii's previous work, "Wind crossing" He uses it as a photograph. There is no doubt that these two are particularly memorable for Ishii, but how should we as an audience perceive these acts? Then something occurred to me. In my work "Guiding Star", there is a part where I walk through an underground passage at night during a trip in Hokuriku. That place was Kanazawa. Lately I've been visiting Kanazawa every year for the Maki Asakawa live video screening, but most of the time I travel from Kansai to Kanazawa, or vice versa, by express bus. Then, the bus always passes through that underground passage. Ah, it was here. With that thought in mind, I play with the memories of that trip for a while, no longer happy or sad, but dry and dry. It might be something similar. However, in my case, unlike Ishii's narration in the story, I feel like "it somehow continued to live." M.Yamazaki
A Fold in My Blanket
Dmitrij has recently returned to his small Georgian hometown after graduating from a university abroad. His monotonous days drag on, between working and the solitary rock-climbing excursions.