Informações
Sinopse:
Duração: 01h30m
Data de lançamento: 18 de setembro de 2018
Genêros:
(2 votos)
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Sinopse:
Duração: 01h30m
Data de lançamento: 18 de setembro de 2018
Genêros:
Date Night starts off with a romantic night out between Lota and Femi. All appears well between them for a minute. Then sets in the witty dialogue of gods and myths which gives us a sense of something being off.
Follow the evolution of a small time juvenile delinquent hood to a big time racketeer. Based on the famous 1950 Brinks Robbery in Boston that netted the crooks $2.5 million. The story delves into the psychology of the perpetrators, as well as the intricate mechanics of the hold-up.
This short machinima horror movie tells the escape story of Chris Edwards, inner voice dubbed by Aaron Landon Jackson, who wakes up in the middle of the night, at the cemetery, by a nameless grave that reads "Rest In Pieces."
Ira is Russian. Ivan Tashkov, too. She is 23 years old, lives in Geneva with her mother and knows very little about her homeland. Tashkov is a supposed gangster of the Russian mafia, and is in jail waiting to be judged. Ira, who is searching for her roots and her own path in life, happens to be the interpreter of Tashkov's defense lawyer, and gets instantly captivated by of this powerful, cultured and manipulative man.
The Labyrinth is the name of the debut concert tour by British pop singer Leona Lewis. Beginning on 28 May 2010, it showcased songs from her debut album, Spirit and her second album, Echo. Dates in the United Kingdom and Ireland were completed with Australian singer Gabriella Cilmi serving as the support act for the majority of dates.
A film casting in Paris. Young actresses (and actors) try to incarnate the Swiss writer and traveler Annemarie Schwarzenbach (1908-1942). In order to get the role of this emblematic and sulfurous figure of the late 30's, child of the 'lost generation', antifascist and gay, this actors play scenes of her life, try to assume poses of hers from photos, and talk about their own life through the prism of her fascinating and ambiguous personality. A portrait arises, singular and multiple, public biography and intimate memory, drawn up by the woman of the past as well as by the young generation of 2014. Slowly, a reconstituted and collective figure emerges and encounters an own fictitious life.