Informações
Sinopse:
Duração: 00h59m
Data de lançamento: 13 de março de 1998
Genêros: Documentário.
(2 votos)
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Sinopse:
Duração: 00h59m
Data de lançamento: 13 de março de 1998
Genêros: Documentário.
Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.
A vengeful mother-in-law locks horns with her daughter-in-law in a twisted tale laced with dark comedy, political intrigue, and chilling thrills.
A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.
After Suman's father leaves her in the care of another family while he travels abroad, she falls in love with Prem. However, in order to for them to marry, Prem has to prove to Suman's father that he is not the same as his own dad.
From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.
For Kevin, a shy teenager, being bullied is part of everyday life. But one day an older guy, Benny, comes to his aid. Impressed by Benny's self-as-sured appearance, Kevin seeks his company from then on, and increasingly idolizes him. But Benny's intention is not to protect the younger boy, quite the contrary.
A small town in Spain, October 1955. Isabel, a 35-year-old dreamer who feels like a failure because she is not married yet, becomes the new target of a group of soulless pranksters.
A kindergarten teacher meets a novice magician and together they travel to another city to find love.
Visages Villages mostra a icônica diretora Agnès Varda em uma colaboração inesperada com o fotógrafo JR ao embarcar em uma viagem singular. Eles partem no caminhão fotográfico de JR, explorando as cidades da França rural para tirar retratos de seus residentes e ampliá-los em gigantescos murais.
Neste filme, Laerte conjuga o corpo no feminino e examina conceitos e preconceitos. Não em busca de uma identidade, mas em busca de não identidades. Laerte é filha e filho, avó e avô; pai de três filhos, embora órfão de um. Laerte é quem caminha com a filha pelo corredor como pai e mulher; que, mesmo sem útero, gesticula. Laerte cria e envia criaturas para enfrentar a realidade no mundo ficcional das histórias em quadrinhos como uma vanguarda do eu. E, nas ruas, quem se torna ficção de um personagem real. Laerte, de todos os corpos e de nenhum, complica todos os binários. Seguindo Laerte, este documentário escolhe vestir a nudez além da pele que habitamos.