Informações
Sinopse:
Duração: 00h59m
Data de lançamento: 14 de setembro de 1919
Genêros: Drama.
(3 votos)
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Sinopse:
Duração: 00h59m
Data de lançamento: 14 de setembro de 1919
Genêros: Drama.
Posando como caçadores, um grupo de terroristas está em busca de 100 milhões de dólares que foram roubados e perdidos em um acidente de avião a caminho do Afeganistão.
Ava é uma chef premiada que perdeu sua inspiração. Ela, então, volta para sua cidade natal para tentar se reconectar consigo mesma. Quando ela se encontra com Logan, seu amigo de infância, ela tem de tirar sua cabeça das nuvens para redescobrir sua paixão pela cozinha e o caminho para o coração.
Follows a youngster Kalai and his aspirations of becoming a 'Star' in the Tamil Film Industry. Born in a lower-middle-class family, will Kalai overcome all his struggles to emerge as a Star?
A bookshop renowned for its rare works is mysteriously and filled with copies of a book entitled 1, which doesn't appear to have a publisher or author. The strange almanac describes what happens to humanity in a minute. A police investigation begins and the bookshop staff are placed in solitary confinement by the Bureau for Paranormal Research. As the investigation progresses, the situation becomes more complex and the book becomes increasingly well-known, raising numerous controversies. Plagued by doubts, the protagonist has to face facts: reality only exists in the imagination of individuals.
Rich and powerful Simon Qing has been schooled in the ways of sex by his virile father, but is still a virgin. That is, until he meets his first love Violetta who has fun with him all over his father’s estate. Their love does not last, so Simon embarks on a journey. Along the way he meets the comely nun Moon whom Simon deflowers and then marries. He then becomes enamored of Golden Lotus but she is married to dwarf Wu Da-Lang.
In the follow-up to "The Battle At Lake Changjin", brothers Wu Qianli and Wu Wanli undertake a new task for the People's Volunteer Army, defending a bridge part of the American troops' escape route from the advancing Chinese.
The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.